THAT's what happens when you 'push' a movie too much. All things else out of that border, I don't got the knowledge to blog.
A group of individuals share common psychic abilities only to find themselves torn between two choices: running or being government's lab rats. There is Nick (Chris Evans), a telekinetic or in this movie's reality, a "Mover"; and Cassie (Dakota Fanning), a "Watcher" who sketches the future she foresees. The duo finds Kira (Camillia Belle), a dozed "Pusher" who can manipulate the mind of the others.
The action-sci-fi-thriller prances on its journey to find a syringe that the "Division" is trying to find to inject to other strengthened people to extract their powers--or end their lives.
The most powerful card 'Push' could play is it's stunning visual effects. In the final confrontation which was the most thrilling part of the movie (beside scenes that involve PopGirl and the two bleeders) the effect of the colored powders were simply amazing and so delicious I would like to grab a knife and slice it off the TV screen frame by frame.
Commendable are Chinese actors and Dakota Fanning; I still think that she shouldn't have done Twilight.
While having a delicious medley of attractive visual effects, the plot occurs as though a painfully complicated spider web of events that suggested a convoluted matter to others. Sometimes it felt like it would take a prodigy to follow and understand and enjoy the bents of the story line.
With a promising set of effects, a negligible sets of events that decided to be confusing and a decent performance via Fanning, 'Push' proves to be a B-movie or in translation, an up-down up-down kinda thing.
I understand that this post is boresome, so please bear with me.
0 comments:
Post a Comment