'Stormhouse' is a Low-Key Chiller That in Truth Chills.

The military have captured and imprisoned a supernatural entity... and it wants to play.

And it played. The film itself even played our fidgeting and stiffening.  It played most of the running time of the film. Dan Turner alongside director Jason Arnopp come shrewd players of fright despite of all the silliness that slid beneath the surface of the plot and friction-ed through the skin of sloppy performances of co-stars.

Katheryn Flynn plays Hayley as a cloying at first, inconsistent-but-convincingly terrified the rest of the film and like Odd Thomas of Dean Koontz can communicate with the dead. Hayley was invited over to a top-secret military operation to help unlock the secrets of the supernatural terrorist's existence to result to more knowledge in innovating big guns. Of course, Hayley would find out how dangerous the classified project is underneath, and that rises to the surface.

For a very low-key chiller that in truth chills, 'Stormhouse' plays a house of cards like a boss. One silly son of a bitch boss. Writer Dan Turner is proved imaginative and creative in this chiller that decides to collide three different shockers: the supernatural, sci-fi and GOVERNMENT. It doesn't however looks far from your usual John Carpenter film: a single-setting with a handful of characters and then tortured by an unseen force.

The ambitious writing that ultimately brings a decent amount of fear, paranoia of the claustrophobic and fright seemed to be insulted by taking the wrong actors to play who and their annoyingly inconsistent acting. A second-rate effect of the paranormal does tug my laugh string a bit. I was like: "Oh, it might eat you or something, Hayley bitch." And then the real ammo was armed and fired, bam! I was stiffened and frozen to my seat. Boy 'Stormhouse' is a shocker.

The film resembles to the recent rendition of the John Carpenter film, The Thing, in which paranoia is that the leads doesn't know where the villain really is. The infection is lethal and unseen. In this big guy, the possession is lethal and unseen too.

With effects that are looking cheap and inconsistent acting, 'Stormhouse' became a notch less engaging than it attempted to be. However the nursery rhyme, maybe; or just the skillful plot by Dan Turner salvaged the movie from a definite dark age.